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News Round UpJune 8, 2005
Prakriti - the dance of the five elements
By Savita Iyer, Sydney, Australia
 

Stories of Hindu Mythology, around the theme of Prakriti - the dance of the five elements of nature, were vividly presented by the Samskriti School of Dance in a performance in Sydney on May 21, 2006. Using the classical idiom of Bharatanatyam, Hamsa Venkat, a Kalakshetra graduate had directed this 2-hour dance drama and also took part in. Instead of using pure descriptive interpretations of the elements, the dancers elaborated enchanting tales such as the Kaliya-nardanam and Kannagi's fury.

Opening with a traditional pushpanjali, the scene transformed into the arena of Chidambaram - representative of space. Here Lord Shiva (Govind Pillai) danced the tandavam with his consort Goddess Parvathi (Hamsa Venkat) exhibiting the lasyam aspect. A number of stories were related in this scene such as the churning of the ocean and Neelakanta as well as the story of Kama, who experienced the wrath of Lord Shiva. The serene music here was Adi Sankara's Panchakshara sthotram that had been cleverly set in ragamalika.

Scene 2 (water) commenced with an enthralling sequence featuring gopis and gopikas dancing the raas and then playing with Lord Krishna. The tranquil music in the raga Desh moved on to an eerie 'magudi' as the serpent Kaliya (portrayed Lakshmi Rajagopalan) made its presence. A fierce battle between Kaliya and Krishna pursued with the Lord being triumphant.

Scene 3 (wind) portrayed stories of Vayu and his son, Hanuman (portrayed by young Sanjana). Using the Hanuman Chalisa as the backdrop, the dancers portrayed the sprightly antics of the monkey God. As Hanuman's hunger increased, he leapt to grab the Sun (thinking it was a fruit) resulting in fury from Indra. With Hanuman struck down, father Vayu was in rage and withdrew all energy from the Earth. Only when the devas revived Hanuman did Vayu restore his presence in the world.

Scene 4 (earth) described the story of the mountain nymph Valli's love for Lord Subramanya. The scene opened with the gypsy folk dancing the celebration of the land. Valli is put to the test by the Lord who comes in disguise as an old man, wanting her hand in marriage. Valli stays faithful to the Lord and her patience is rewarded.

The final scene (fire) was a fitting climax to an enthralling evening of dance. In an action packed scene, Kovalan (Govind Pillai) and Kannagi (Hamsa Venkat) get married but soon after Kovalan's attention is towards the dancer Madhavi (Sangeetha Sriram). Most of Kannagi's jewels are given away to Madhavi but finally Kovalan realises his mistakes and comes back to his wife. They have little wealth left so Kannagi asks Kovalan to trade her anklet. At the same time the Queen (Sneha Rao) loses her anklet and Kovalan accused and hung for the crime. Enraged at the injustice, Kannagi proves that the anklet that Kovalan had was not that of the Queen, before setting the city ablaze with her rage.

A salient feature of the program was the music composition and rendition. Sangeetha Ayyar (vocal) has an evocative voice that was able to convey the necessary emotions essential for dance. The music score, by Mohan Ayyar and Sangeetha was refreshing - using captivating ragas and melodies to portray the various themes. The music for the Krishna and scene and Kovalan's execution, in particular, was arresting. The versatility of the synthesizer in dance (played by Mohan) was evident throughout. Raghuram Sivasubramaniam (mrudangam), Bala Shankar (tabla) and Sriram Panyam (violin) made up the rest of the musical ensemble.

Although only 8 dancers featured in Prakriti, they were able to quickly change roles as the scenes warranted. The choreography was crisp and to the point while the costume selection and coordination was appealing. Lovers of Indian dance surely look forward to many more programs from Hamsa Venkat and her Samskriti team.

Samskriti School of Dance, Sydney can be contacted at samskriti.dance@gmail.com

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