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Because
it has grown to be the stage where the who's who of
South Indian classical music and dance perform.
Madras,
now called Chennai, is the Mecca of South Indian dance
and music, and every artiste feels privileged to perform
here during the 'season'.
The
festival traces its roots to a rather loose origin when
an 'All-India music conference' was held as part of
a political conference of the Indian National Congress
party in 1927. Those were the days when the country
was warming up to the idea of independence.
That
festival with a few concerts was held in the cool December
season. And it was held at the Music Academy, which
is considered the grand-mom of the music and dance world
here.
Since
then, more and more organisations have hosted their
own festivals around that of the Academy.
Over
the recent years, a lot more sabhas (cultural bodies,
and organisers of concerts. The word means a formal
gathering of an audience) have come up, and close to
300-plus concerts are now held from mid November to
the time of Pongal, which is the local harvest festival.
This explosion has also produced its chaff. In fact,
Madras is host of many music and dance concerts round
the year.
For
Pongal, during the summer holidays in May-June, for
Rama Navami (celebration of the birth of the Hindu god
Rama), for Deepavali (the festival of lights celebrated
for the victory of good over evil) and so on. The season
has also witnessed many changes.
Traditional
arts like like the Harikatha ( which means the Story
of God - a formalised musical telling of devotional
mythological and didactic stories) and nadaswaram playing
are given little attention and purists are against the
space given to instruments like the saxophone, guitar,
mandolin and keyboard in classical concerts.
Concerts
have become shorter ( as against the four hour-long
ones of the 60s), people flock to the kutcheris of the
'stars' among the artistes and there is a race among
artistes to be on the best stage.
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